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prose - Example Sentences

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प्रोज़
This was Punjabi prose in its early rudimentary form.
यह अपने आंशिक स्वरूप में पंजाबी गद्य था।
This was followed by Prayaschitta (Atonement) , very different in theme and mood from the previous play, though also in prose interspersed with songs.
इस रचना के ठीक बाद जो नाटक आया था वह था? प्रायश्चित?, जो अपनी विषयवस्तु और मनोदशा में अपने पिछले नाटकों से सर्वथा अलग था. गद्य में लिखित यह नाटक गीतों से संगुफित था।
This work is a champu kavyaa composition in which verse and prose are used alternatelythe subject of which goes back ultimately to the Mahabharata.
यह चम्पू काव्य हैं, अर्थात इसमे पद्य ओर गद्य का बारी-बारी से प्रयोंग है, अंततः इसका विषय महाभारत की एक कथा ही है।
Though he stands as a unique litterateur in the domain of Punjabi prose and Punjabi short story, still he holds a worthy position as a Punjabi dramatist.
यद्यपि पंजाबी गद्य तथा पंजाबी लघु-कहानी के साम्राज्य में वह एक अद्वितीय साहित्यकार के रूप में विद्यमान् हैं, फिर भी पंजाबी नाटककार के रूप में वह एक योग्य स्थान रखते है।
Though unacquainted with the role of Rammohun Roy and Vidyasagar in evolving a new Bengali prose , he had to be the creator of a new Telugu prose to put across new ideas.
नवीन बंगाल गद्य के निर्माण में राममोहन राय और विद्यासागर के काम से भले ही वे अपरिचित थे, परंतु नए विचारों का प्रवेश कराने के लिए उन्हीं को नए तेलुगु गद्य का सृजनकर्ता बनना पड़ा।
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Thus this fancy prose contains a lot of' ohs' and ' ahs ' and other exclamations of sorrow.
इस तरह इस विचित्र गद्य में बहुत सारे ' ओह ' और ' आह ' तथा विवाद के दूसरे उद्गार भरे हुए हैं।
Thus, barring a few' limitations, Manilal has made a mark in Gujarati literature as an effective prose - writer by cultivating Gujarati prose for technical and philosophical discussions and by creating a vigorous prose-style enlivened by his personality.
इस प्रकार, कुछ मर्यादाओं के बावजूद, मणीलाल ने गुजराती गद्य को तकनीकी और दार्शनिक चर्चा के समर पर पहुँचाया है और अपने व्यक्तित्व से एक शक्तिशाली गद्य शैली विकसित करके गुजराती साहित्य में गण्यमान्य गद्य लेखक के रूप में अपना विशिष्ट स्थान बना लिया है।
Thus,. the course of the last five or six decades, Tamil prose has registered phenomenal progress in all directions.
इस प्रकार पिछली पॉच-छः दशाब्दियों से तमिष गद्य ने खासी प्रगति की है।
To make his stories interesting and appealing, he uses appropriate vocabulary as he does as a prose - stylist.
अपनी कहानियों को मनोरंजक एवं आकर्षक बनाने के लिए एक गद्य - शैलीकार के रूप में वह उपयुक्त शब्दावली को प्रयुक्त करते है।
Up to the end of the eighteenth century, the only specimens of Bengali prose were confined to documents of title or business transactions.
अठारहवीं शताब्दी के अन्त तक बंगला - गद्य के नमूने पदवी के दस्तावेज़ों या फिर व्यापार - सम्बन्धी पत्राचारों तक ही सीमित थे।
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