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prose - Example Sentences

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गद्य160गद्यात्मक6गद्यकाव्य1गद्य-लेखक1
Bharati's love of nature is best evidenced in bis prose poems.
उनका प्रकृति प्रेम उनकी गद्य कविताओं में सर्वाधिक मुखरित है।
But Bhavabhuti's fondness for loaded prose and verse often intrudes.
किन्तु बोझिल गद्य और पद्य के लिए भवभूति की पसंद अक्सर बीच में आ पड़ती है।
But even in the first twenty years after its foundation, namely between 1887 to 1907 it was largely instrumental in the growth of prose and drama.
अपनी स्थापना के प्रथम 20 वर्षों के दौरान अर्थात् 1887 और 1907 के बीच भी यही कालेज गद्य तथा नाटक के विकास में बहुत सहायक हुआ।
But he was also a versatile genius who wielded his magic wand in many branches of literature besides that of prose fiction.
बहरहाल, वे एक ऐसी बहुमुखी प्रतिभा वाले थे जिन्होंने अपनी जादू की छड़ी गद्य में औपन्यासिक कृतियों के अलावा साहित्य की अन्य प्रशाखाओं पर भी घुमाई।
But here again, the exquisite prose of her letters seems too scarce.
किन्तु यहां पर फिर भी उनके पत्रों का उत्कृष्ट गद्य बहुत कम दिखाई देता है।
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But if verses were loaded with heavy words and rhetorical ornaments, particularly in descriptive parts, a dramatist always took care to keep his prose simple, natural, often colloquial; so that the dialogue used spoken language and avoided literary and cultivated speech.
किन्तु पद्यों में, विशेषतः वर्णन करते समय, यदि बोझिल शब्दों और अलंकारों का प्रयोग किया जाता है, तो नाटककार हमेशा अपने गद्य को बातचीत के लायक सरल और स्वाभाविक रखने का प्रयास करता है, जिससे कि संवादों में बोलचाल की ही भाषा रहे तथा साहित्यिक सुसंस्कृत भाषा को वहाँ कोई स्थान न मिले।
But in the new form of Yatra, which developed mostly a secular character, dance played a very important part, and dialogue in prose and blank verse had also entered in imitation of the contemporary theatre.
लेकिन नए प्रकार की जात्रा में, जिसका विकास असांप्रदायिक रूप से हुआ, नृत्य को प्रमुख स्थान प्राप्त हुआ और समकालीन नाटक की नकल पर गद्य और मुक्त छंद में संवाद भी रचे गए।
But unfortunately, Sanskrit prose was not always directed towards its natural uses.
परन्तु दुर्भाग्य से संस्कृत गद्य इसके स्वाभाविक प्रयोग की ओर सदैव आकर्षित नहीं रहा।
But without sharing this view, Teja Singh produced a style in the field of Punjabi prose whjch is considered as a mark of standard even today.
लेकिन इस विचार से सहमत न होकर 1. प्रिंसिपल तेजा सिंह, अभिनंदन ग्रंथ, पृ. 105 भी तेजा सिंह ने पंजाबी गद्य क्षेत्र में ऐसी शैली पैदा की, जो आज भी प्रमाण - चिन्ह मानी जाती है।
By this type of writing Punjabi prose had been rid of its conventional elements and sensitized to subtler shades of expression.
इस प्रकार के लेखन से पंजाबी गद्य पारम्परिक तत्वों एवं गूढ़ चेतनात्मक अभिव्यक्ति की मारीचिका से मुक्त हुई।

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